Skip to content
Search
Bluestocking Oxford
About Us
Write for us
Discover: Bluestocking A-Z
Yearly Archives
Our Patron and Supporters
‘Susanna and the Elders’ by Artemisia Gentileschi
From Shocking Pink to Shock Tactics: Schiaparelli, Fashion Becomes Art at the V&A Museum
20th century
,
Arts
,
Reviews
Painting in Exile: Bistra Vinarova, the Forgotten First Lady of Expressionism
20th century
,
Arts
Irmgard Keun and the Razor-sharp Edge of Womanhood
20th century
,
Humanities
Why Julia Kristeva Loved Mad Women but Not Feminists
20th century
,
Humanities
Edith Wharton and the Legend of Zelda Fitzgerald
20th century
,
Humanities
A Story of South Asian Art: Mrinalini Mukherjee and Her Circle at the Royal Academy of Arts
Arts
,
Contemporary
The Undiscovered Country: Presence and Grief in Chloé Zhao’s Hamnet
Arts
,
Contemporary
The Performance of Seriousness: Susan Sontag and Feminine Intellect
20th century
,
Arts
Refusing Spectacle and the Politics of Everyday Visibility: Christina Broom, Britain’s First Woman Press Photographer
20th century
,
Arts
,
politics
Selling Sex and Death: Emerald Fennell’s “Wuthering Heights”
Arts
,
Contemporary
Previous Page
1
2
3
4
5
…
25
Next Page
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here:
Cookie Policy
Loading Comments...
Write a Comment...
Email
Name
Website
Subscribe
Subscribed
Bluestocking Oxford
Join 123 other subscribers
Sign me up
Have a WordPress.com account?
Log in now.
Bluestocking Oxford
View site in Reader
Manage subscriptions
Sign up
Log in
Report this content
Collapse this bar