“I actually used to sing much higher, but I felt people weren't taking me very seriously, so I lowered my voice, believing that it would help me stand out. Now I sing quite low... well, for a female anyway.” —Lana Del Rey
In challenging at once the prevailing political attitudes of the time, and the literary ones, Wollstonecraft lays a foundation for her daughter, Mary Shelley, to continue these efforts. Wollstonecraft was arguing for a sense of radical inclusion, that by ironing out the divisions between men and women mankind might become, in her words, ‘more wise and virtuous’, with a greater sense of equality. Wollstonecraft died giving birth to her daughter, Mary, a fact which haunted Shelley throughout her life.
“In the 1820s and 1830s […] theatre productions in London were becoming more elaborate in their setting, dressing and ‘getting up’” (Taylor 1993, 3). Shakespeare productions in the Victorian era were marked by a sumptuous and decadent attention to visual artistry.
In writer-director Céline Sciamma’s landmark lesbian film Portrait of a Lady on Fire (2019), set in eighteenth-century France, the young noblewoman Heloïse (Adèle Haenel, who is Sciamma’s former partner) refuses to sit for a portrait. Soon to marry an unknown Milanese man, for whom the portrait is destined, this is the only rebellion she can wage.
Mavis Gallant was a Canadian writer, born in 1922. She is known as a short story writer, although other works include the novels: Green Water, Green Sky (1959), A Fairly Good Time (1970), and an essay collection, Paris Notebooks (1986). Working as a journalist for The Montreal Standard, she was one of the first to witness and report on the photos of the liberation of the Nazi camps...
"...Marie’s indefatigable quest for a vaginal orgasm would lead her to undergo surgery three times to relocate her clitoris. Criticised by some as a deluded defender of phallo-centricity, she should be seen instead as a courageous advocate of a woman’s right to her own sexual satisfaction." Clara Wade discusses Marie Bonaparte and the female orgasm.
Cosmopolitanism has become a dirty word in twenty-first century politics. Postmodern progressivism and resurgent ethnonationalism, somewhat unlikely bedfellows, have together exposed the inadequacy of traditional cosmopolitan models to accommodate diversity. Under attack from both sides of the political spectrum, the prospect of global citizenship seems increasingly undesirable, passé and even suspect.
By Yvette Dell Jane Barker’s semi-autobiographical heroine in The Galesia Trilogy - three novels published between 1713 and 1726 - embodies not only the literary female but the educated woman. Like Barker’s conflation of needles and pens in the titles of her novels, A Patch-Work Screen for the Ladies (1723)and The Lining for the Patch-work… Continue reading “A Horse Caught In A Stable On Fire”: The Predicament of the Learned Woman in 18th century England
By Ramani Chandramohan Women in medieval literature are often depicted as damsels in distress, waiting at the top of a tower for a knight in shining armour to come and rescue them. The life of the writer Christine de Pizan was about as far from that trope as you can get. As a child, she… Continue reading The Mutations of Fortune: How Christine de Pizan became the first professional female writer
By Enlii Lewis Matt Bonner owes a great deal to Tove Jansson. His six-meter high ‘Trump Baby’ balloon, made infamous during the President’s 2019 state visit, is not the first satiric image of a head of state amid the throes of their terrible twos. On the cover of a 1938 issue of Garm magazine, Tove Jasson… Continue reading Tove Jansson: Satirising Stalin