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home imagehttps://blue-stocking.org.uk/wp-content/uploads/2023/10/bush-home-image-2-1.jpgbush home image 2https://blue-stocking.org.uk/wp-content/uploads/2023/10/bush-home-image-2.jpgbush home image 2https://blue-stocking.org.uk/wp-content/uploads/2023/10/bush-home-image.jpgbush home imagehttps://blue-stocking.org.uk/wp-content/uploads/2023/10/bbaynton-1.jpgBBayntonhttps://blue-stocking.org.uk/wp-content/uploads/2023/10/bbaynton-482410665-e1698496294179.jpgBBaynton2024-07-12T09:42:53+00:00monthlyhttps://blue-stocking.org.uk/2023/09/28/isabella-whitneys-wyll-and-testament-as-a-single-womans-survival-guide/https://blue-stocking.org.uk/wp-content/uploads/2023/09/john_nordens_map_of_london_1593_large_version.jpgJohn_Norden's_map_of_London_1593_Large_version2024-07-12T09:42:37+00:00monthlyhttps://blue-stocking.org.uk/2023/09/16/constance-gore-booth-countess-de-markievicz-art-romance-and-the-intersections-of-freedom/https://blue-stocking.org.uk/wp-content/uploads/2023/09/screenshot-2023-09-16-at-16.16.37.pngScreenshot 2023-09-16 at 16.16.37https://blue-stocking.org.uk/wp-content/uploads/2023/09/image.jpgimagehttps://blue-stocking.org.uk/wp-content/uploads/2023/09/constance_1_750-e1617209728795-2444626668-e1694876861765.jpgConstance Gore-Boothhttps://blue-stocking.org.uk/wp-content/uploads/2023/09/unnamed.pngunnamedhttps://blue-stocking.org.uk/wp-content/uploads/2023/09/unnamed-2.jpgunnamed-2https://blue-stocking.org.uk/wp-content/uploads/2023/09/unnamed-3.jpgunnamed-3https://blue-stocking.org.uk/wp-content/uploads/2023/09/unnamed.jpgunnamed2024-07-12T09:42:20+00:00monthlyhttps://blue-stocking.org.uk/2023/08/16/as-woman-is-so-she-sees-winding-the-golden-string-of-dr-kathleen-raines-william-blake-scholarship/https://blue-stocking.org.uk/wp-content/uploads/2023/08/48412-2.jpgThe Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827)Pen and black ink, watercolour and gouache on gesso ground on stiff paper, The Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827), signed and dated, bottom left: W. Blake/ Inventor, 1821. This mainly monochrome imaginary scene with a multiple number of figures also uses a mixture of scale and perspective. It takes place besides a stormy sea, on the left. A grassy cliff face drops below behind the main figures, in the centre, to a classical temple. On the right a stone staircase extends upwards through a grove of trees. A male figure, dressed in red, is sitting, and almost kneeling, on a rock on top of the cliff beside the seashore. His hands are extended towards the waves to the left whilst he looks outwards with his head turned toward the viewer. A female figure, veiled from head to toe, is standing beside him in the centre with her left arm raised. To her left, in amongst the trees are seven females in long classical brown dresses spinning thread between them. Below in the foreground and in the water are four more figures with the yarn and spindle. On the right is a sleeping figure draped across an urn. On the upper right is another group of female figures holding water vessels on their heads. To their right extending across the sky to the left is another staircase emerging from the cloudy heavens with a figure in his horse-drawn chariot also attended by females. Below the chariot, and in the sea, in the left background, is a female, possibly a sea-nymph or Nereid, riding on her hippocampi (horses of the sea).https://blue-stocking.org.uk/wp-content/uploads/2023/08/screenshot-2023-08-16-at-10.33.51.pngScreenshot 2023-08-16 at 10.33.51https://blue-stocking.org.uk/wp-content/uploads/2023/08/48412-2331255403-e1692178469177.jpegThe Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827)Pen and black ink, watercolour and gouache on gesso ground on stiff paper, The Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827), signed and dated, bottom left: W. Blake/ Inventor, 1821. This mainly monochrome imaginary scene with a multiple number of figures also uses a mixture of scale and perspective. It takes place besides a stormy sea, on the left. A grassy cliff face drops below behind the main figures, in the centre, to a classical temple. On the right a stone staircase extends upwards through a grove of trees. A male figure, dressed in red, is sitting, and almost kneeling, on a rock on top of the cliff beside the seashore. His hands are extended towards the waves to the left whilst he looks outwards with his head turned toward the viewer. A female figure, veiled from head to toe, is standing beside him in the centre with her left arm raised. To her left, in amongst the trees are seven females in long classical brown dresses spinning thread between them. Below in the foreground and in the water are four more figures with the yarn and spindle. On the right is a sleeping figure draped across an urn. On the upper right is another group of female figures holding water vessels on their heads. To their right extending across the sky to the left is another staircase emerging from the cloudy heavens with a figure in his horse-drawn chariot also attended by females. Below the chariot, and in the sea, in the left background, is a female, possibly a sea-nymph or Nereid, riding on her hippocampi (horses of the sea).https://blue-stocking.org.uk/wp-content/uploads/2023/08/kathleen-raine-1930.jpgkathleen-raine-1930https://blue-stocking.org.uk/wp-content/uploads/2023/08/48412-1.jpgThe Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827)Pen and black ink, watercolour and gouache on gesso ground on stiff paper, The Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827), signed and dated, bottom left: W. Blake/ Inventor, 1821. This mainly monochrome imaginary scene with a multiple number of figures also uses a mixture of scale and perspective. It takes place besides a stormy sea, on the left. A grassy cliff face drops below behind the main figures, in the centre, to a classical temple. On the right a stone staircase extends upwards through a grove of trees. A male figure, dressed in red, is sitting, and almost kneeling, on a rock on top of the cliff beside the seashore. His hands are extended towards the waves to the left whilst he looks outwards with his head turned toward the viewer. A female figure, veiled from head to toe, is standing beside him in the centre with her left arm raised. To her left, in amongst the trees are seven females in long classical brown dresses spinning thread between them. Below in the foreground and in the water are four more figures with the yarn and spindle. On the right is a sleeping figure draped across an urn. On the upper right is another group of female figures holding water vessels on their heads. To their right extending across the sky to the left is another staircase emerging from the cloudy heavens with a figure in his horse-drawn chariot also attended by females. Below the chariot, and in the sea, in the left background, is a female, possibly a sea-nymph or Nereid, riding on her hippocampi (horses of the sea).https://blue-stocking.org.uk/wp-content/uploads/2023/08/48412-2331255403-e1692178011753.jpgThe Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827)Pen and black ink, watercolour and gouache on gesso ground on stiff paper, The Sea of Time and Space (Vision of the Circle of the Life of Man) by William Blake (London 1757 - London 1827), signed and dated, bottom left: W. Blake/ Inventor, 1821. This mainly monochrome imaginary scene with a multiple number of figures also uses a mixture of scale and perspective. 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To their right extending across the sky to the left is another staircase emerging from the cloudy heavens with a figure in his horse-drawn chariot also attended by females. 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Flaghttps://blue-stocking.org.uk/wp-content/uploads/2017/08/eleanor-roosevelt.jpgEleanor Roosevelthttps://blue-stocking.org.uk/wp-content/uploads/2017/08/harriet-lane.jpgHarriet Lane1084.18 HARRIET LANE JOHNSTON (1833-1903). Niece of President James Buchanan and White House hostess. 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2017-01-09T18:37:28+00:00monthlyhttps://blue-stocking.org.uk/2016/07/08/bluestocking-recommends-best-films-directed-by-women/https://blue-stocking.org.uk/wp-content/uploads/2016/07/persepolis.jpgpersepolis2017-01-06T14:09:29+00:00monthlyhttps://blue-stocking.org.uk/2010/06/02/elinor-ostrom-economic-governance/https://blue-stocking.org.uk/wp-content/uploads/2010/06/ostrom.jpgostromhttps://blue-stocking.org.uk/wp-content/uploads/2010/06/elinor-ostrom.jpgElinor OstromElinor Ostrom 2016-10-08T16:06:05+00:00monthlyhttps://blue-stocking.org.uk/2011/10/20/a-forgotten-contribution-women-and-the-home-guard/https://blue-stocking.org.uk/wp-content/uploads/2011/10/125869.jpg125869https://blue-stocking.org.uk/wp-content/uploads/2011/10/dadsarmybbc_468x474.jpgA Forgotten Contribution: Women and the Home Guard https://blue-stocking.org.uk/wp-content/uploads/2011/10/brooch1.jpgbroochhttps://blue-stocking.org.uk/wp-content/uploads/2011/10/brooch.jpgbrooch2016-10-08T14:27:02+00:00monthlyhttps://blue-stocking.org.uk/2013/03/03/gertrude-stein/https://blue-stocking.org.uk/wp-content/uploads/2013/03/gstein.jpggsteinhttps://blue-stocking.org.uk/wp-content/uploads/2013/03/stein-4.jpgStein 4In her lifetime, Stein wrote a number of novels, as well as a biography of her life with her lover Alice Tolkas.https://blue-stocking.org.uk/wp-content/uploads/2013/03/stein-3.jpgStein 3A postcard from Picasso to Stein from the intimate correspondence that the two friends were to maintain throughout their lifetime.https://blue-stocking.org.uk/wp-content/uploads/2013/03/stein-2.jpgStein 2Portrait of Gertrude Stein by Picasso 1905-1906https://blue-stocking.org.uk/wp-content/uploads/2013/03/stein-1.jpgStein 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gray2016-04-02T15:34:20+00:00monthlyhttps://blue-stocking.org.uk/2010/06/01/amanda-palmer-and-the-%e2%80%98rebellyon%e2%80%99-sexism-in-the-music-industry/https://blue-stocking.org.uk/wp-content/uploads/2010/06/apalmer.jpgapalmer2016-03-19T15:49:21+00:00monthlyhttps://blue-stocking.org.uk/2008/06/01/from-a-young-woman-eager-to-learn-to-an-old-woman-expected-to-know/https://blue-stocking.org.uk/wp-content/uploads/2008/06/elizabeth_colson.jpgElizabeth_Colson2016-03-19T11:25:42+00:00monthlyhttps://blue-stocking.org.uk/2008/12/01/where-loss-resides/https://blue-stocking.org.uk/wp-content/uploads/2008/12/rossetti2.jpgChristina RosettiChristina Rosettihttps://blue-stocking.org.uk/wp-content/uploads/2008/12/rossetti1.jpgChristina RosettiChristina Rosetti2016-03-19T11:18:12+00:00monthlyhttps://blue-stocking.org.uk/2009/12/01/the-silent-rebellion-of-elizabeth-cary/https://blue-stocking.org.uk/wp-content/uploads/2009/12/ladyfalkland1.jpgladyfalkland1https://blue-stocking.org.uk/wp-content/uploads/2009/12/cary1.jpgcary12016-03-19T11:06:42+00:00monthlyhttps://blue-stocking.org.uk/2009/12/01/a-woman-scorned-catherine-de-medici-diane-de-poitiers-and-the-creation-of-a-regal-iconography/https://blue-stocking.org.uk/wp-content/uploads/2009/12/medici2.pngLes PlacetsLes Placetshttps://blue-stocking.org.uk/wp-content/uploads/2009/12/medici1.pngCatherine de MediciCatherine de Medici 2016-03-18T16:05:48+00:00monthlyhttps://blue-stocking.org.uk/2009/12/01/%e2%80%98in-the-beginning-woman-was-the-sun%e2%80%99and-the-foundation-of-japan%e2%80%99s-first-feminist-journal/https://blue-stocking.org.uk/wp-content/uploads/2009/12/raicho_hiratsuka.jpgRaicho_Hiratsukahttps://blue-stocking.org.uk/wp-content/uploads/2009/12/raicho2.jpgThe first issue of 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2016-03-18T15:43:07+00:00monthlyhttps://blue-stocking.org.uk/2011/03/01/rosetti%e2%80%99s-other-woman-the-silent-contribution-of-models-and-muses/https://blue-stocking.org.uk/wp-content/uploads/2011/03/elizabethsiddal_rossetti.jpgelizabethsiddal_rossettihttps://blue-stocking.org.uk/wp-content/uploads/2011/03/untitled5.jpgThe sultry Fanny Cornforth in Rosetti’s The Blue Bower (1865)The sultry Fanny Cornforth in Rosetti’s The Blue Bower (1865)https://blue-stocking.org.uk/wp-content/uploads/2011/03/untitled4.jpgMillais’s Ophelia (1852) was modelled on Rosetti’s wife, Elizabeth Siddal Millais’s Ophelia (1852) was modelled on Rosetti’s wife, Elizabeth Siddal https://blue-stocking.org.uk/wp-content/uploads/2011/03/untitled3.jpgCaption: Woman’s Mission: Companion of Manhood by George Elgar Hicks, 1863Woman’s Mission: Companion of Manhood, by George Elgar Hicks, 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